Kelby Training - Romancing the Landscape Part 3: Ready for Anything with Moose Peterson
English | M4V | AVC 960x540 30 fps | AAC 160 kbps | 1.88 GB
When it comes to landscape photography, chances are you won't be able to control your environment. Unless you live in the area where you're shooting and can pick the perfect day, the light and conditions you have are the light and conditions you have. In the final installment of his three-part series, Moose explores the Valley of the Gods and shows you how to deal with whatever nature throws your way. Plus, his extra-long post processing session in lesson 12 is practically a class in and of itself.
•Lesson 01: Welcome to the Valley of the Gods (3:22)
•Lesson 02: Light at High Noon (10:07)
•Lesson 03: Post Production - Split Grad (8:58)
•Lesson 04: Selecting Photos to Process (16:37)
•Lesson 05: Where Do I Shoot? (10:28)
•Lesson 06: Failure is Always an Option (5:05)
•Lesson 07: Couldn't Stand the Weather (6:50)
•Lesson 08: Post Production - Subtlety (24:21)
•Lesson 09: Into the Great Wide Open (6:40)
•Lesson 10: Post Production - Fish Eye (14:59)
•Lesson 11: Chasing the Light (13:28)
•Lesson 12: Post Production - Marathon Session (43:32)
•Lesson 13: Conclusion (1:33)
About the Author
A Nikon Legend Behind the Lens, Lexar Elite Photographer, recipient of the John Muir Conservation Award, Research Associate with the Endangered Species Recovery Program, published in over 130 magazines worldwide, author of 23 books, and lecturing across the country to thousands upon thousands of photographers barely covers the work and goals of wildlife photographer Moose Peterson.
One of the original Nikon shooters to receive the D1 in 1999, Moose embraced this new technology becoming the only wildlife photographer in the world to shoot strictly digital in the early years. A beta site for all the major hardware and software manufacturers, Moose continues his main goal of photographing the life history of North America's endangered wildlife and wild places using the latest tools. Creative innovation of new techniques, both behind the camera and the computer, is the driving force behind his photography and goals.
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